“Lawyers […], What’s the Most Morally Reprehensible Case You Represented and Won?” (AskReddit)

Flying turkeycouchie wrote this:

“None of my cases are morally reprehensible. I believe that all my clients are legally innocent until proven guilty, and I represent each to the best of my ability. Even in cases where the client has confessed. 

“The reason I do this is to hold the prosecutors, police, and judges accountable. If the system can convict without evidence or violate the rights of a guilty person, it isn’t much of a stretch for them to convict or violate the rights of an innocent person. Thus, if the prosecutor doesn’t have enough evidence to secure a conviction, I will fight hard to get the case reduced or dismissed. If the police illegally searched or coerced a confession, I will work to get evidence dismissed. If they did everything right, I will fight hard for an appropriate and fair sentence.

“If it makes you feel better, remember that I’m not just doing this to protect the rights of rapists and murderers; by protecting their rights, I am protecting yours as well.”

Source: Aramisua, “[SERIOUS] Lawyers of this Internet space, what’s the most morally reprehensible case you represented and won?” AskReddit. 1 September 2018 <https://tinyurl.com/ybc9luny>.

Dante’s PARADISE: Comment on Canto 20: APOCATASTASIS

sunflowers-3640938_1280.jpg

https://pixabay.com/en/sunflowers-field-woman-yellow-3640938/

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APOCATASTASIS

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An upset verdict

All will be well for all will

Achieve Paradise

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NOTE: God is merciful and omnibenevolent: He is an all-loving God. We have a hard time understanding eternal punishment. Interestingly, some Christian mystics, including Julian of Norwich, and some Christian theologians, including Origen, believe in apocatastasis. They believe that all will be well for everybody in the end. In other words, everybody will make it to Paradise in the end. The word “apocatastasis” means an upset verdict — someone may have been sentenced to eternal damnation, but if that verdict is upset, then that person will make it to Paradise.If everyone, including the worst sinners of all time, eventually makes it to Paradise, it would be a triumph for Unconditional Love. Please note, however, that apocatastasis is not mentioned in The Divine Comedy.

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PARADISE: CANTO 20 RETELLING

https://davidbruceblog.wordpress.com/2017/03/27/dantes-paradise-canto-20-retelling-two-pagans-in-paradise-ripheus-and-trajan/

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Free eBooks by David Bruce (pdfs) (Includes Discussion Guides for Inferno, Purgatory, and Paradise)

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David Bruce: William Shakespeare’s 3 HENRY VI: A Retelling — Act 5, Scene 1

— 5.1 —

The Earl of Warwick, the Mayor of Coventry, two messengers, and some others stood upon the walls of Coventry.

The Earl of Warwick asked, “Where is the messenger who came from the valiant Earl of Oxford? How far away is your lord, my honest fellow?”

The first messenger replied, “By this time, he is at Dunsmore, marching to here.”

The Earl of Warwick then asked, “How far away is our brother the Marquess of Montague? Where is the messenger who came from Montague?”

The second messenger replied, “By this time, he is at Daintry, with a powerful troop of soldiers.”

Sir John Somerville arrived.

The Earl of Warwick asked, “Tell me, Somerville, what says my loving son-in-law? And, by your guess, how near is Duke George of Clarence now?”

Sir John Somerville replied, “At Southam I left Duke George of Clarence with his forces, and I expect him to be here some two hours from now.”

They heard the sound of a drum.

The Earl of Warwick said, “Clarence is at hand. I hear his drum.”

“It is not his, my lord,” Sir John Somerville said. He pointed and said, “In this direction Southam lies. The drum your honor hears is marching from Warwick.”

The Earl of Warwick said, “Who would they be? Probably, unlooked-for friends.”

Sir John Somerville said, “They are at hand, and you shall quickly know who they are.”

King Edward IV, Duke Richard of Gloucester, and many soldiers arrived.

King Edward IV ordered, “Go, trumpeter, to the walls, and sound a parley.”

Duke Richard of Gloucester said, “See how the surly Warwick mans the wall!”

The Earl of Warwick said, “Oh, unbidden, spiteful annoyance! Has lascivious Edward IV come? Where did our scouts sleep, or how were they seduced, that we could hear no news of Edward IV’s coming here?”

King Edward IV said, “Now, Warwick, will you open the city gates, speak gentle words and humbly bend your knee, call me your King, and at my hands beg mercy? If you do, we shall pardon you these outrages.”

“No,” the Earl of Warwick said. “Rather, will you withdraw your forces from here, confess who set you up and plucked you down, call Warwick your patron, and be penitent? If you do, you shall continue to be the Duke of York.”

Duke Richard of Gloucester joked, “I thought, at least, he would have said, ‘You shall continue to be the King,’ or is he jesting against his will?”

“Is not a Dukedom, sir, a goodly gift?” the Earl of Warwick asked.

Duke Richard of Gloucester replied, “Yes, by my faith, for a poor Earl to give.”

Dukes outrank Earls.

Duke Richard of Gloucester continued, sarcastically, “I’ll serve you for so good a gift.”

The Earl of Warwick said, “It was I who gave the Kingdom to your brother.”

“Why, then it is mine, if only by Warwick’s gift,” King Edward IV said.

“You are no Atlas for so great a weight,” the Earl of Warwick said.

Atlas is the mythological Titan who holds up the sky on his shoulders.

The Earl of Warwick continued, “And, you weakling, Warwick takes his gift back again. Henry VI is my King, and Warwick is his subject.”

King Edward IV said, “But Warwick’s King Henry VI is Edward IV’s prisoner. And, gallant Warwick, just answer this: What is the body when the head is off?”

“It’s a pity that Warwick had no more foresight,” Duke Richard of Gloucester said. “While he thought to steal the poor, feeble ten, the King was slyly stolen from the deck of cards!”

A ten is not a court card; court cards are the Jack, Queen, and King. Duke Richard of Gloucester was saying that when the Earl of Warwick was rescuing Henry VI from captivity, he was not rescuing a legitimate member of the royal court.

He continued, “You left poor Henry VI at the Bishop’s Palace, and, ten to one, you’ll meet him in the Tower of London.”

“All this is true,” King Edward IV said, “yet you are still the same old Warwick. This news will not change your opposition to me.”

Duke Richard of Gloucester said, “Come, Warwick, adjust yourself to the time; kneel down, kneel down. No? If not now, when? Strike now, or else the iron cools.”

“Strike” could mean 1) Strike a blow, or 2) Strike — lower — your topsail in deference or in surrender. Richard wanted Warwick to take action quickly.

The Earl of Warwick raised his hand and replied, “I would rather chop this hand off at a blow, and with the other hand fling it at your face, than bear so low a sail as to strike and lower my topsail to you.”

King Edward IV raised his hand and said, “Sail however you can, have wind and tide as your friends, this hand, fast wound about your coal-black hair shall, while your head is warm and newly cut off, write in the dust this sentence with your blood, ‘Changing-with-the-wind Warwick now can change sides no more.’”

The Earl of Oxford arrived with a drummer and his colors — battle flags — and his army.

The Earl of Warwick said, “Oh, cheerful colors! Oh, cheerful battle flags! See where Oxford is coming!”

The Earl of Oxford cried, “Oxford, Oxford, for the House of Lancaster!”

He and his army entered the city of Coventry.

Duke Richard of Gloucester said, “The gates are open; let us enter, too.”

King Edward replied, “If we do that, other foes may attack our backs. Instead, we will stand here in good array, for they no doubt will issue out again and challenge us to battle them. If they don’t, since the city has only a weak defense, we’ll quickly rouse the traitors out of their den.”

The Earl of Warwick said, “You are welcome, Oxford, for we need your help.”

The Marquess of Montague arrived with his troops, drummer, and battle flags.

He cried, “Montague, Montague, for the House of Lancaster!”

He and his troops entered the city.

Duke Richard of Gloucester said, “You and your brother both shall pay for this treason even with the dearest blood your bodies bear.”

King Edward IV said, “The more powerful the enemies, the greater the victory. My mind foretells happy gain and conquest.”

The Duke of Somerset arrived with his troops, drummer, and battle flags.

He cried, “Somerset, Somerset, for the House of Lancaster!”

He and his troops entered the city.

Duke Richard of Gloucester said, “Two of your name, both of them Dukes of Somerset, have lost their lives to the House of York, and you shall be the third if my sword continues to hold its edge.”

Duke George of Clarence arrived with his troops, drummer, and battle flags.

The Earl of Warwick said, “Look where George of Clarence sweeps along with forces enough to challenge his brother to battle; with George of Clarence, an upright zeal for justice prevails more than the nature of a brother’s love!”

Duke George of Clarence said, “Clarence for the House of Lancaster!”

King Edward IV said, “Et tu, Brute? Will you stab Caesar, too?”

Et tu, Brute?” is Latin for “You, too, Brutus?” Julius Caesar said these words to Brutus, whom he thought was his friend, when Brutus, with many other Romans, stabbed him to death.

Edward IV ordered, “Call a parley, sir, to Duke George of Clarence.”

The trumpet sounded, requesting a parley.

Duke Richard of Gloucester and Duke George of Clarence talked together.

The Earl of Warwick called,“Come, Clarence, come; you will, if Warwick calls for you to.”

Duke George of Clarence replied, “Father-in-law Warwick, do you know what this means?”

He took the red rose — symbol of the House of Lancaster — out of his hat and threw it toward the Earl of Warwick. Duke George of Clarence had been reconciled to his brother the King; once more, he was a Yorkist. He placed a white rose — symbol of the House of York — in his hat.

He continued, “Look here, I throw my infamy at you. I will not ruin my father’s House — his family — by giving blood to cement the stones together and set up Lancaster.

“Do you think, Warwick, that Clarence is so harsh, so blunt, and so unnatural as to bend the fatal instruments of war against his brother and his lawful King?

“Perhaps you will raise as an objection my holy oath. To keep that oath would be more impious than Jephthah keeping his oath, when he sacrificed his daughter.”

In Judges 11, Jephthah had vowed to sacrifice the first thing that came out of the door of his house when he returned home if God would grant him a military victory; unfortunately, the first thing to come out of the door was his only child: a daughter, whom he sacrificed.

Judges 11:30-34(1599 Geneva Bible) states this:

“30 And Jephthah vowed a vow unto the Lord, and said, If thou shalt deliver the children of Ammon into mine hands,

“31 Then that thing that cometh out of the doors of mine house to meet me, when I come home in peace from the children of Ammon, shall be the Lord’s, and I will offer it for a burnt offering.

“32 And so Jephthah went unto the children of Ammon to fight against them, and the Lord delivered them into his hands.

“33 And he smote them from Aroer even till thou come to Minnith, twenty cities, and so forth to Abel of the vineyards, with an exceeding great slaughter. Thus the children of Ammon were humbled before the children of Israel.

“34 Now when Jephthah came to Mizpah unto his house, behold, his daughter came out to meet him with timbrels and dances, which was his only child: he had none other son, nor daughter.”

Duke George of Clarence continued, “I am so sorry for the trespass I made that, to deserve well at my brother’s hands, I here proclaim myself your mortal foe, and I resolve that wherever I meet you — and I will meet you, if you stir abroad — to plague you for foully misleading me.

“And so, proud-hearted Warwick, I defy you, and to my brother I turn my blushing cheeks.

“Pardon me, Edward. I will make amends.

“And, Richard, do not frown upon my faults, for I will henceforth be no more inconstant and disloyal.”

King Edward IV said to him, “Now you are more welcome, and ten times more beloved, than if you had never deserved our hate.”

Duke Richard of Gloucester said, “Welcome, good Clarence; this is brotherlike.”

The Earl of Warwick said, “Oh, unsurpassed traitor; you are perjured and unjust!”

King Edward IV said, “Warwick, will you leave the town and fight? Or shall we beat the stones about your ears?”

The Earl of Warwick said, “Unfortunately for you, I am not cooped up here for defense! I will leave and go towards Barnet immediately, and I challenge you to battle me there, Edward, if you dare.”

King Edward IV replied, “Yes, Warwick, Edward dares, and he leads the way.

“Lords, let’s go to the battlefield! Saint George and victory!”

King Edward IV and his troops marched to the battlefield. The Earl of Warwick and his troops followed.

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Copyright by Bruce D. Bruce; All Rights Reserved

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David Bruce: Animals Anecdotes

At one time, zoos kept large animals such as gorillas in small cages, but now zoos prefer to have larger, more open spaces—that resemble the animals’ habitat as much as possible—in which the animals can roam around. The open spaces make the viewing experience more pleasurable for the zoos’ visitors, and it makes the animals happier—and more likely to breed in captivity. The first person to design larger, more open spaces for the display and comfort of animals was Karl Hagenbeck, who in 1907 placed antelopes and lions near each other in the Hamburg Zoo in Germany—the lions were kept away from the antelopes by an impassible moat. Today, zoo workers go to great lengths to make the settings resemble the animals’ natural habitat. For example, animals in a tropical forest setting will be forced to take shelter a few times a day when zoo workers create artificial rain showers. During the showers, the zoo workers flash strobe lights for lightning and play recordings of thunder and the shrieks of howler monkeys and the calls of birds. All of these things make the animals feel more at home.

Following World War II, when Gary Paulsen, author of Hatchet, was a child, he lived with his parents in the Philippines. There, he and his dog, Snowball, wandered everywhere and saw many things. Together, they discovered a very poor Philippine family living under an overturned Jeep. Despite the family’s poverty, they offered young Gary and even Snowball a bit of food. Thereafter, Gary took food from home and brought it to them, and they shared meals of sardines and rice. Snowball once saved Gary’s life. Walking barefoot along a trail, Gary came across a pretty—but deadly—snake that was about to bite him. Snowball grabbed the snake, shook it, and broke its neck.

William Butler Yeats wrote some plays in the Japanese Noh style, including The Hawk’s Wells, which created a problem. The stage direction “The Girl gives the cry of the hawk” appears twice, but Yeats, choreographer/dancer Michio Ito, and costume/mask designer Edmund Dulac did not know what the cry of the hawk sounded like. They made a few trips to a zoo, but were unsuccessful in hearing the cry of a hawk, even though Mr. Dulac prodded a hawk with his umbrella. Finally, they decided that the Japanese word for hawk, taka, was onomatopoeic, and so when the Girl gave the cry of the hawk, she cried taka.

Once, a bear nearly killed Ruth Paulsen, the wife of popular children’s author Gary Paulsen. She had been weeding the garden when the bear approached her and prepared to attack, although she did the right things—she backed away from the bear, and she avoided eye contact with it. Fortunately, a tiny dog named Quincy saw what was happening, came running, jumped on the bear’s chest, bit down, and hung on. Mrs. Paulsen then did what she shouldn’t have—she ran toward the bear, grabbed Quincy, and ran away. Mr. Paulsen says that in doing this his wife used “all the good luck from the rest of her life,” for the bear turned around and went away.

Giovanni Antonio Bazzi, nicknamed Sodoma (1477-1549), who apparently enjoyed shocking people, once listed the inhabitants of his house as follows: “Item an owl to frighten witches, two peacocks, two dogs, two cats, a sparrow-hawk and other birds of prey, six fowls, eighteen chicks, two moor fowl and many other birds; to name all of which would only cause confusion. I have, besides these, three abominably wicked beasts, to wit, my three women.”

General George B. McClellan felt that President Abraham Lincoln was interfering when he requested to be kept better informed of activities in the field. Therefore, the general sent the president this sarcastic telegram: “Have just captured six cows. What shall we do with them?” President Lincoln was able to meet the challenge. He sent back this telegram: “Milk them.”

English actress Mrs. Patrick Campbell loved Pinkie Panky Poo, her pet Pekingese, and she wanted to take him with her whenever she traveled. She once bundled him under her cloak and tried to smuggle him past customs. Later, she told her friends, “Everything was going splendidly—until my bosom barked.”

When country comedian Jerry Clower was a boy, his family owned a bulldog named Mike. This bulldog looked out for the children of the family, and whenever Jerry’s mother wanted to spank him, first she had to lock up the bulldog, because if she didn’t, as soon as she started to spank Jerry, it would bite her.

The family of Quaker humorist Tom Mullen adopted a stray dog, which they named Terry. Terry was so well fed that she was overweight, and because she was overweight, her legs bowed. In addition, her tail wagged so much that one of the Mullen children called her “a story with a happy ending.”

During the 1970s, Mary Bacon worked as a woman jockey, and while doing her job her face used to be caked by the mud flying out from under the hooves of the racing horses. She once told the New York Daily News, “Some women shell out $25 for a mud pack and I get ’em for free.”

Rudolf Nureyev once watched a nature show during which a sheep carcass was thrown into the Everglades, where it was immediately devoured by frenzied alligators. Mr. Nureyev recognized the scene: “Ah, Paris Opéra.”

A bullfighter appearing on You Bet Your Life told Groucho Marx that in the ring he had met more than 300 bulls. Groucho replied, “You must be the envy of every cow in Mexico.”

Dogs can be trained to do strange tricks. A man in New York trained his dog well. Whenever he said, “Adolf Hitler,” the dog would raise its leg and pee.

George Jean Nathan once wrote about a performance of Uncle Tom’s Cabin: “The dogs were poorly supported by the cast.”

“A Christian should so live that he would not be afraid to sell the family parrot to the town gossip.”—Will Rogers.

Gay comedian Bob Smith says that his pet dog is half poodle and half pit bull: “Not a good attack dog but a vicious gossip.”

Sydney Fairbrother was an eccentric British actress long ago who used to suddenly pull out live mice from her sleeves or from her bosom.

“I’m not so sure that none of us have ever been loved by an earthly creature until we have been loved by a dog.”—Jerry Clower.

Life can be tenacious. At Antarctica, where the environment is brutal, lichens live just underneath the surface of rocks.

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Copyright by Bruce D. Bruce; All Rights Reserved

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Edgar Lee Masters: Henry Tripp (Spoon River Anthology)

THE bank broke and I lost my savings.
I was sick of the tiresome game in Spoon River
And I made up my mind to run away
And leave my place in life and my family;
But just as the midnight train pulled in,
Quick off the steps jumped Cully Green
And Martin Vise, and began to fight
To settle their ancient rivalry,
Striking each other with fists that sounded
Like the blows of knotted clubs.
Now it seemed to me that Cully was winning,
When his bloody face broke into a grin
Of sickly cowardice, leaning on Martin
And whining out “We’re good friends, Mart,
You know that I’m your friend.”
But a terrible punch from Martin knocked him
Around and around and into a heap.
And then they arrested me as a witness,
And I lost my train and staid in Spoon River
To wage my battle of life to the end.
Oh, Cully Green, you were my savior—
You, so ashamed and drooped for years,
Loitering listless about the streets,
And tying rags ’round your festering soul,
Who failed to fight it out.

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