Actors
• Actress/comedian/writer Ann Randolph got her start in performing when she was hired to work with mental patients at the Athens Mental Health Center while studying theater at Ohio University in Athens, Ohio. One of the activities she did was to write several plays for the patients to perform. Some of the things she saw at the Mental Health Center became part of the plays she wrote. According to Ms. Randolph, “I think it shaped me because I was able to see … how devastating mental illness is. I wanted to immediately tell the stories that I was hearing up there. I wanted to tell them on stage. They were amazing stories.” The plays were popular with the patients — one patient even requested, “Don’t discharge me until the play is over.”
• Carol Burnett made her Broadway debut in the hit Once Upon a Mattress, a comic play based upon the children’s story “The Princess and the Pea.” In this play, her character slept on a bed with several mattresses, under which a pea had been placed. If her character felt the pea, she was a legitimate princess; if her character did not feel the pea, she was not worthy to marry the prince. However, at the same time that Ms. Burnett was starring on Broadway each night, she was also starring on television each day, and she was very, very tired — so one night she fell asleep while lying on the mattresses on stage.
• Jacob P. Adler was a much-respected Yiddish actor who died in 1926. Fourteen years after his death, an old man showed up at a theater where Mr. Adler used to perform. He presented the theater manager with a pass that had been signed by Mr. Adler — but the pass was good for free admission to a Dec. 31, 1919, performance. The old man had been unable to use it in 1919, but he wanted to use it in 1940 because he had heard that Mr. Adler’s daughter, Celia, was appearing at the theater. The theater manager had such a high respect for Mr. Adler that he honored the pass.
• Katherine Cornell was a much-loved theatrical actress. Once, she was supposed to appear in Seattle, Washington, but because of bad weather her train did not arrive until almost midnight. Hearing that the audience was still awaiting her arrival, she and her troupe went to the theater and got the stage ready in full view of the audience, allowing them a glimpse of behind-the-curtain activity they had not seen before. Ms. Cornell and her troupe then performed the play, which did not end until 3:45 a.m.
• When Diana Adams first started dancing with the New York City Ballet, like most newcomers she was given the pantomime roles that did not require much if any dancing; unfortunately, she was not much good at pantomime — although as her career proved, she was excellent at dancing. As the Duchess in Giselle, she acted regally, but for lack of a better thing to do, looked at the scenery. This amused André Eglevsky, who commented, “That girl, she looks as if she’d never seen a tree before!”
• Actors John Gielgud and Hugh Griffith once attended a party at which Sir John amused everyone by talking of various productions he had seen of Shakespeare’s Tempest. He especially criticized a particular production, saying it had “quite the worst Caliban I have ever seen.” Noticing how quiet Mr. Griffith was, he said, “You’re very silent, Hugh.” Mr. Griffith replied, “Not as a rule. I was just trying to recall my performance and wondering if you could possibly be right.”
• After retiring from gymnastics following the 1972 Olympic Games in Munich, Cathy Rigby began her acting career by playing the role of Peter Pan for seven months — traditionally, Peter Pan, a boy, is played by a woman. She is well known for this role, which she has played several times in intervening years. In fact, she says her daughter once told her that “when she grows up, she wants to be a boy just like me.”
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Copyright by Bruce D. Bruce; All Rights Reserved
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