David Bruce: The Coolest People in Comedy — Food, Football, Friends, Gambling

Food

• Who was the first comedian to throw a pie in a silent-movie comedy? Probably it was Mabel Normand. In 1913, some of Mack Sennett’s comedians, including Mabel and Roscoe “Fatty” Arbuckle, were making a movie, but none of their gags seemed to work. Bored, Mabel saw a pie. Mr. Sennett’s comedians, including Mabel, played many practical jokes, and she launched the pie at Fatty Arbuckle, scoring a direct hit and many laughs.

• When comedian Steve Allen was a teenager, he ran away from home. Very quickly, he began to steal, to beg, and to eat garbage. Mr. Allen writes about finding a discarded can of pork and beans along a road. The can contained several ants and a few beans, but Mr. Allen shook the ants out of the can and enjoyed eating what was left of the beans.

• Tommy Morgan was a Scottish comedian. While staying in a Belfast hotel and hosting some friends in the hotel restaurant, Mr. Morgan was treated like the celebrity he was, and a waiter asked, “Will you be having a bit of partridge, Mr. Morgan?” Mr. Morgan replied, “A bit! What do you mean — a bit! Bring us a whole one each.”

Football

• When Bill Cosby was in school, his grandfather advised him not to play football. Bill played football anyway, and he broke his shoulder. He was lying on a sofa, in pain, when his grandfather visited. Embarrassed, young Bill waited for his grandfather to say, “See, I told you, Junior.” Instead, his grandfather gave him a quarter and told him, “Go to the corner [store] and get some ice cream. It has calcium in it.’”

• Comedian Frank Morgan said whatever was on his mind. Once, he was reading the scores of some obscure football games on his radio program when he suddenly interrupted himself and asked, “Is anybody really interested in this nonsense?”

Friends

• At Friars Club dinners, comedians take great pleasure in insulting the guest of honor, often using very vulgar language to do so. At a dinner for Jack Benny, many dignified people, including Eleanor Roosevelt, Helen Hayes, and Senator Jacob Javits, were present, so Mr. Benny told his friend and fellow comedian George Burns, “George, this is a high-class affair, so nothing risqué.” Mr. Burns joked, “Should I tell the story about Sid Gary’s *ss?” Mr. Benny joked back, “I wouldn’t if I were you, because Javits is on ahead of you, and he’s going to tell it.”

• Actor Elliott Gould was friends with comedian Groucho Marx when Groucho was old. Groucho, of course, insulted friends as well as enemies. Once, Mr. Gould replaced a burned-out light bulb over Groucho’s bed, and Groucho told him, “That’s the best acting I’ve ever seen you do.” Mr. Elliott considers that “the best review I’ve ever had and probably will ever have.” The two men really were close — Groucho even let Mr. Elliott shave him with an electric razor.

Gambling

• Even good people can be distracted from what is really important. At one time, comedian Phil Silvers was accustomed to bet quite a lot of money on sports games. Once, he visited with his mother for a day, and he had her radio tuned to a game he had bet on. At the end of the day, he realized that he had spent the day with his mother, but he couldn’t remember a single thing she had said because he had been listening to the game, not to her.

• Chico Marx loved to gamble, and he gambled all of his money away. His famous brother Harpo, however, managed to save much of his earnings. Once, Chico was asked how much money he had lost gambling. He replied, “Find out how much Harpo has. That’s how much I’ve lost!”

***

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David Bruce: The Coolest People in Comedy — Automobiles, Beauty

Automobiles

• When he was a teenager, Soupy Sales used to double-date with a friend named Bill Cravens. The two would take their dates to a movie, go to the park to neck (smooch) for a while, and then get something to eat. On one double-date, Soupy’s date didn’t want to go to the park because she said she wasn’t feeling well, so Soupy told Bill that they needed to take his date home. She asked, “Aren’t we going to get something to eat?” Soupy replied, “If you’re too sick to neck, you’re too sick to eat.” Back when Soupy was a teenager, not every teenager who was old enough to drive had a car. On his double-dates, a friend with a car would drop Soupy off at his date’s friend’s house, and then the friend with a car would pick up his date and then come back to get Soupy and his date. Once, Soupy was in a house waiting for his date to come down from upstairs. The young woman’s father said, “Gee, I wonder what’s keeping Elaine?” Soupy said, “Wait a minute! Isn’t this Joanne Pinckard’s house? The young woman’s father said, “No, Joanne lives across the street.”

Beauty

• In 2008, comedian Margaret Cho debuted a new show: Beautiful. The genesis of the show came when a radio host asked Ms. Cho, “What would you do if you woke up tomorrow and you were beautiful?” She was shocked by the question because, as people who know and love her (or see her) realize, she is beautiful. She asked the radio host, “What?” and he explained, “What if you woke up and you were blond, blue-eyed, 5’ 11” and weighed 100 lbs and you were beautiful, what would you do?” Uh — 5’ 11” and 100 lbs! Ms. Cho says, “I told him I probably wouldn’t get up because I would be too weak to stand!” She also thought, “It upset me because I thought if that was the only person he thinks is beautiful, he must not see much beauty ever. I wanted to do a show about how we are all beautiful. It is something I have to constantly tell myself.”

• Apparently, the Ziegfeld Follies’ Flo Ziegfeld was a good judge of feminine beauty but lacked a sense of humor. He once watched W.C. Fields make the audience roar with laughter with a comedy sketch, then asked how long the sketch had taken. The answer came back: 28 minutes. Mr. Ziegfeld next asked how long it took for the girls to get ready for the next scene. The answer came back: seven minutes. Mr. Ziegfeld then ordered Mr. Fields to cut his comedy sketch to seven minutes.

Children

• As a small boy, Wally Cox learned that some of the best things in life could be purchased with a box top from a box of cereal or the aluminum seal from a jar of Ovaltine. Just send in a box top or an aluminum seal and a small amount of money to cover shipping and handling, and all kinds of neat stuff — including a Cub reporter’s certificate (from a radio program starring Dick Steel, the boy reporter) — would arrive in your mailbox. The aluminum seal from a jar of Ovaltine bought young Wally the knowledge of how to decode the secret messages that were broadcast at the end of the Little Orphan Annie radio program — secret messages that gave hints about Little Orphan Annie’s next exciting adventure. Young Wally was proud to know the code: A is 2, B is 4, C is 6, etc. Unfortunately, soon after young Wally learned how to decode the secret messages, the dullest boy in school told him, “Hey, you wanna know the Little Orphan Annie secret code? A is 2, B is 4, C is 6 ….” Disappointed at being unable to amaze even the dullest boy in school with his foreknowledge of Little Orphan Annie’s next exciting adventure, young Wally soon stopped sending away for things that required payment of a box top or an aluminum seal.

***

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David Bruce: Boredom is Anti-Life — Auditions, Authors

Auditions

• When he was 21, Luigi (Eugene Facciuto) was paralyzed in a car accident. Physicians told him that he would never walk again, but all he could think about was dancing again. An operation on his eyes, which was necessary because the car accident had crushed his head, left him permanently cross-eyed. However, he kept hearing a voice that told him, “Never stop moving, kid. If you stop moving, you’re dead. Don’t ever stop moving.” Through ballet lessons, he was able to rehabilitate himself, and he ended up dancing alongside people such as Gene Kelly. However, he was forced to become a jazz dancer rather than a ballet dancer because his crossed eyes made it impossible for him to perform pirouettes — he couldn’t spot. He once auditioned for Lucia Chase and all went well until she asked him to perform some turns in the air. Because of his crossed eyes, he couldn’t. He remembers hearing Ms. Chase say, “I thought they said he could dance.” As a jazz dancer, he performed with Judy Garland, Leslie Caron, Cyd Charisse, Donald O’Connor, and Vera Ellen. Luigi’s most important motto throughout his life has been this: “Never stop moving.”

• In April of 1960, a blizzard hit Cincinnati. Young Suzanne Farrell and her mother still made it to an audition for the National Ballet of Canada. However, a chilly journey that lasted over three hours and left no time for Suzanne to warm up took its toll on her and she did not dance well. Still, she says, she danced nowhere near as badly as the National Ballet of Canada told her mother she did. Suzanne says, “I was absolutely crushed. I was ready to give up ballet at fourteen. Then I thought it over, and decided, well, I didn’t like that company very much anyway.” The very next month New York City Ballet dancer Diana Adams discovered her, and Suzanne received a Ford Foundation Scholarship to study at the School of American Ballet. Of course, Suzanne became a superstar of ballet. By the way, in 1961 a representative of the National Ballet of Canada saw Suzanne taking class and said, “Should you decide to join us ….” Suzanne did not let the representative finish: “Sorry, I have something better to do.”

Authors

• When Laura Ingalls Wilder, author of Little House on the Prairie, and her husband first arrived at their Rocky Ridge Farm in Missouri, they stayed in a log cabin that had a fireplace but no windows. When they needed more light, they simply knocked out some of the chinking between logs — this let in more light, but it also let in the wind and rain. Later, they built a much nicer house to live in. And while living in Burr Oak, Iowa, she was excited when she found a bullet hole in a door of the hotel where she and her family were living. A husband had gotten drunk, and being angry at his wife, he had tried to shoot her. The wife slammed the door behind her and got away safely.

• As an adult, E.B. White wrote Charlotte’s Web and Stuart Little. When he was a little boy attending his first day of kindergarten, he was annoyed by a little girl who wanted to hold his hand. By the way, as a famous author, Mr. White was often asked to make speeches, but he suffered from stage fright, so he used to decline these invitations by writing, “I am incapable of making a speech.” Also by the way, while working at The New Yorker, Mr. White declined to come in for regular hours, although he did turn in his work on time. In fact, he once set off for a vacation in Maine — without first informing The New Yorker.

• J.R.R. Tolkien was grading a stack of examination papers at Oxford University when he came across an exam that hadn’t been completed. In the empty space at the bottom of the exam, he wrote, “In a hole in the ground there lived a hobbit.” Later, Mr. Tolkien said, “Names always generate a story in my mind: eventually I thought I’d better find out what hobbits are like.” This single sentence at the bottom of an unfinished exam led to Tolkien’s books The Hobbit and The Lord of the Rings.

***

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David Bruce: Boredom is Anti-Life — Art, Audiences

Art

• Students at MIT have occasionally hacked (that is, pranked) the school’s works of art. Actually, one hack really wasn’t a hack — it really was a work of art. Artist Scott Raphael Schiamberg installed what appeared to be a field of wheat in Lobby 7. On a Monday in May 1996, students and faculty strolled through the wheat. Mr. Schiamberg received much media publicity, and he received many congratulatory emails. One MIT employee emailed him, “It took my breath away. All Mondays should be so beautiful.” Of course, MIT students added a few touches of their own to the work of art — such as a cow and a scarecrow. However, MIT students liked the field of wheat, and they did not like some of the other works of art on the MIT campus, such as Louise Nevelson’s Transparent Horizons, which MIT students criticize as being like much other MIT art: In the students’ word, the art is “ugly.” MIT hackers once installed a desk and a study light in the top of the sculpture, and they once rededicated it with this plaque: “Louise Nevelson / b. 1990 / Big Black Scrap Heap / 1975.” And occasionally MIT hackers will install authentic-looking but satiric “works of art” in MIT galleries. For example, in 1985 MIT hacking group James E. Tetazoo installed “NO KNIFE: A STUDY IN MIXED MEDIASEARTH TONES, NUMBER THREE” in MIT’s List Visual Arts Center. The “work of art” consisted of a large plate, small plate, fork, two spoons (one a soup spoon), and glass on a tray placed on an upside-down trash receptacle. A statement accompanying the “art” satirized art criticism. The first sentence read, “The artist’s mode d’emploirelies upon minimalist kinematic methods; space and time are frozen in a staid reality of restrained sexuality.”

• Do modern angels wear jeans and use mobile phones? How about statues of modern angels? In the city of Hertogenbosch (aka Den Bosch) in the south of the Netherlands is the Roman Catholic St. John’s Cathedral. Dozens of statues are in the medieval cathedral, and some of the statues are recently created. Sculptor Ton Mooy sculpted 25 new angels for the cathedral, and among them he sculpted one modern angel. The artist wanted to create a jet-pack-wearing angel, but that design was rejected, so he created an angel wearing jeans and using a mobile phone. The artist points out, “The phone has just one button. It dials directly to God.” (It’s also interesting to note that the cathedral also has a large stained-glass window depicting Hell — the window depicts 9-11.)

• British artist Sir Joshua Reynolds looked through some drawings at a second-hand picture dealer’s, then asked how much one of the drawings cost. Astonished to hear that the price was 20 guineas, he asked, “Twenty pence, I suppose you mean?” The dealer replied, “No, sir. It is true that this morning I would have taken 20 pence for it, but if you think it is worth looking at, all the world will think it worth buying.” Sir Joshua paid the 20 guineas for the drawing.

Audiences

• Sometimes, stand-up comedians face very hostile audiences. Once, an audience kept shouting at George Calfa, “Get off! Get off!” He told the audience that the only way he would leave would be for the audience to give him a standing ovation. but after the audience had given him a standing ovation, he told them, “This is the first standing ovation I ever got — I’d better do an encore.”

• The recitals of modern dance pioneer Martha Graham were so different from classical ballet that many people had trouble relating to them. A woman attended a Graham recital, then went backstage afterward and asked her, “Martha, how long do you expect to keep up this dreadful dancing?” Ms. Graham replied, “As long as I have an audience.”

• CBS executives detested the pilot episode of Gilligan’s Island; however, when they tested the pilot, they discovered that audiences loved it. This so amazed the CBS executives that they tested the pilot more than once, because they were afraid that something was wrong with the first audience.

• Following the premiere of Rodeo: The Courting at Burnt Ranch, choreographed by Agnes de Mille, the cast had 22 curtain calls and was showered with bouquets. Most of the bouquets consisted of flowers, but one was made of ears of corn and red, white, and blue ribbons.

***

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David Bruce: Boredom is Anti-Life — Advertising, Alcohol

Advertising

• In April 2012, the Coca-Cola Company put a special Coke machine in Singapore. It looked like a regular Coke machine, but it had the words “Hug Me” written on it in large letters. Anyone who hugged the machine got a reward: a free cold Coca-Cola. Leonardo O’Grady, ASEAN IMC Director, The Coca-Cola Company, said, “Happiness is contagious. The Coca-Cola Hug Machine is a simple idea to spread some happiness. Our strategy is to deliver doses of happiness in an unexpected, innovative way to engage not only the people present, but the audience at large. Whether you were hugging the machine or experiencing the event online, our goal was the same — to put a smile on your face and share that emotional connection. Reactions were amazing … people really had fun with it and at one point we had four to five people hugging the machine at the same time as well as each other! In fact, there was a long line of people looking to give hugs — it was really heartwarming.” Of course, this is good advertising. Louise Kuegler, Regional Business Director at Ogilvy & Mather Asia Pacific, said, “We’re excited to work with The Coca-Cola Company in delivering what is really a very simple idea. All you need to do is give the Coca-Cola Hug Machine a hug and it will love you back, by giving you a free Coke. Something simple and engaging, that lifts people’s spirits and brings a smile to their face.”

• Magician Herrmann the Great had a knack for publicity. Once, in full view of two police officers, he clumsily picked a handkerchief from the pocket of one of two men. The police officers immediately intervened, and the second man looked in his pockets and discovered that his watch was missing. The police officers asked Herrmann the Great if he had the watch, but he replied that they should look in their pockets. They did, and they discovered both the watch and the handkerchief. By this time, the two men had recognized Herrmann the Great, and they thought the joke was funny. However, the police officers were not amused, and they took the magician to the police station, where they lectured him about respecting the dignity of the police. Of course, the whole affair was written up in the newspapers — exactly as Herrmann the Great had wanted.

• Stan Freberg once parodied soap operas with a skit titled “John and Marsha.” The skit consisted only of the words “John” and “Marsha.” Marsha would say, “John.” John would then say “Marsha.” As they said the words, they went through all of the emotions seen on soap operas — love, passion, anger, etc. To advertise the skit, which appeared on a comedy album, Capitol Records printed bumper stickers. Restaurant owners took the bumper stickers, cut them in half, and put “John” on the door to the men’s restroom and “Marsha” on the door to the women’s restroom. By the way, one of Mr. Freberg’s advertisements claimed, “Nine out of ten doctors recommend Chun King chow mein.” The advertisement showed ten doctors, nine of whom were Oriental.

Alcohol

• Financial writer Andrew Tobias is often frugal. For example, he buys cheap vodka, and then pours it into bottles bearing the label of an expensive brand. According to Mr. Tobias, “When it comes to mixed drinks, vodka is vodka.” By the way, Mr. Tobias knew Bill Clinton before he became President. As a joke, Mr. Tobias once tapped Mr. Clinton on the shoulder and asked, “Now, Bill, forgive me — but where is Arkansas again?” Mr. Clinton didn’t laugh.

• Noël Coward had just finished having a drink with a VIP when a newspaper reporter spotted him. The reporter asked, “Was it just a friendly drink?” Mr. Coward replied, “My dear boy, have you ever heard of people taking unfriendly drinks?” By the way, Mr. Coward once wrote a letter to Lawrence of Arabia — Aircraftsman T.E. Shaw, No. 338171. Mr. Coward began the letter, “Dear 338171, May I call you 338?”

• Filmmaker John Waters once went to the supermarket to buy water, an act that seemed suspicious to a lower-class woman, who wondered why on earth anyone would buy water. She asked Mr. Waters, “What is that sh*t anyway?” He replied, “Perrier. It’s good for hangovers.” Hearing that, she smiled, revealing a toothless mouth, and said, “I’ll have to get me some.”

***

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David Bruce: The Funniest People in Television and Radio — Writers; Boredom is Anti-Life — Actors and Acting

Writers

• Some of the plots and dialogue on The Dick Van Dyke Show came from real life. The episode “A Bird in the Head Hurts!” was about a bird stalking Ritchie to get locks of his hair for her nest. (This actually happened to a neighbor of series creator Carl Reiner.) The advice given to Laura Petrie in the episode — “Let him wear a pith helmet” — was actually spoken by an ASPCA officer. In the episode “Never Name a Duck,” the Petrie family acquires two ducks as pets for Ritchie. (In real life, the Reiner family had acquired two ducks as pets for the children.) One duck died and the other duck soon appeared to be ill. The line about the ill duck — “He looks pale!” — was spoken in real life by Mr. Reiner’s wife, Estelle.

• For a while, Marc Cherry, the openly gay creator of TV’s Desperate Housewives, named every episode after a song title by Stephen Sondheim. This got Mr. Sondheim’s attention, and Mr. Sondheim sent him this note: “Next time you’re in town, give me a call and you can tell me how much you like my work.” (Mr. Sondheim can get away with messages like that because he is so successful and because he is over 75 years old.) In fact, Mr. Cherry did get to have dinner with and spend five hours talking to Mr. Sondheim.

• During the McCarthy era, and for a while after it, many excellent writers were blacklisted, meaning that they could not work in the entertainment industry. In practice, however, many of these writers continued to work, but their work appeared under the names of other people. For example, a blacklisted writer wrote an episode of The Andy Griffith Show, but the writer’s name listed on the credits was chosen at random from the Los Angeles phone book.

Actors and Acting

• Actors often know their own limitations. Early in his career, E.A. Southern tried to act the roles of tragic heroes but discovered that he was not very good at them and so performed other kinds of roles on the stage. He once told theatrical critic John Rankin Towse about a conversation that he had had with fellow actor Edwin Booth: “We were talking, among other things, of Will Stewart, the old dramatic critic, and his capacity for apt and cutting definition. By way of illustration I quoted his remark about my Claude Melnotte, that it ‘exhibited all the qualities of a poker except its warmth.’” Mr. Southern then added, “I suppose that my performance was about as bad as anything ever seen upon the stage.” Mr. Booth chuckled and then asked, “You never saw my Romeo, did you?”

• Early in his acting career, Sheldon Leonard competed for parts with Sam Levene because they played similar characters. In a road production of Three Men on a Horse, Mr. Leonard played a comedic part that Mr. Levene had originated on Broadway. During a dress rehearsal, Mr. Levene stopped by — not to watch Mr. Leonard, but to time his laughs to see if Mr. Leonard was getting bigger laughs than he had gotten. After an especially long laugh, Mr. Levene turned to Mr. Leonard’s wife, who was also standing in the back of the theater, and snarled, “What did he do? Drop his pants?

• When British actor Hugh O’Brian was visiting in New York City and feeling prosperous and famous, a woman said to him, “Excuse me, but would you be kind enough to tell me your name?” Mr. O’Brian also felt mischievous, so he replied, “Certainly, madam, my name’s Natalie Wood.” The woman turned to her companion and said, “There you are — I told you I was right.”

• Filmmaker John Waters once received a resume from a 16-year-old boy whose only acting experience was playing the Easter Bunny in a grade-school play. He offered the boy an acting job, but the boy’s parents vetoed his acting career.

***

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The Funniest People in Television and Radio: 250 Anecdotes — Buy

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***

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David Bruce: The Funniest People in Television and Radio: 250 Anecdotes — Work, Writers

Work

• Comedian Steve Allen once hosted a radio program on KNX, where his boss ordered him to “just play records, and in between do a little light chatter.” Mr. Allen did that, but as time went on, the comedy took up more and more of the radio show, leaving little time for playing records. Therefore, his boss sent him a memo, telling him to stop the comedy and play the records. Mr. Allen read the memo on the air, then argued that anyone could play records but his comedy was original. Lots of listeners agreed with him, and 400 listeners sent in letters supporting him, so his boss told him to go ahead and do his comedy — “But play a little music, OK?

• As a young man, Matt Groening sent cartoons to his friends instead of letters. The cartoons documented his life in Los Angeles, and he titled the cartoons Life in Hell. They were good enough that he collected them in homemade comic books and sold them where he worked — a record store. Eventually, he hit what he calls the “doodlers’ jackpot” of The Simpsons and Futurama. Meanwhile, all of his cartoonist friends who were more talented artists than he stopped creating and got boring, middle-class jobs.

• Emma Caulfield played Anya the former vengeance demon on TV’s Buffy the Vampire Slayer. Perhaps it is lucky that she got the job; after all, she admits to being a horrible waitress at a restaurant where she disliked the food. Customers would come in, ask what she recommended, and she would tell them that the food was very bad but the drinks were very good. Her customers ate little, but drank a lot and left her very generous, motivated-by-alcohol tips.

• Comedian Henry Morgan once worked the late shift at a radio station. Among his other duties, he had to read a list of the people who were reported missing. Since he figured that at that late hour, no one was listening to the station, he included the name of his boss among the names of the people who had been reported missing. Mr. Morgan was wrong when he thought that no one was listening — his boss had been listening, so he was fired.

• Robin Williams found out that his TV sitcom Mork and Mindy had been cancelled when he read about it in the trade newspapers — the studio did not even show him the courtesy of calling him on the telephone first before releasing the news to the media. At the time, he was working with fellow comedian Eric Idle in The Tale of the Frog Prince, and he says, “I was so angry and hurt — and I was dressed as a frog!”

• Before becoming famous on Laugh-In, comedian Lily Tomlin worked as a Howard Johnson’s waitress. However, she got fired after grabbing the microphone and announcing, “Attention, diners. Your Howard Johnson’s waitress of the week, Lily Tomlin, is about to make her appearance on the floor. Let’s give her a big hand.”

• During the McCarthy hearings, TV viewers were fascinated. In fact, a TV was rented for employees at The New Yorker but returned after a few days — the staff tended to become so involved in watching the hearings that they forgot that they were supposed to be working on the next issue of the magazine.

• Singer Al Jolson was a very popular guest star on radio programs — he once guested on 10 shows in one week! While he was guesting on the Burns and Allen program, Gracie asked why he didn’t get his own program. Jolie replied, “What? And be on the radio only once a week?”

Writers

• Monty Python member John Cleese once purchased a defective toaster, which made him very angry. He put his anger to use by writing a comedy sketch about his experience. Fellow Python member Graham Chapman often wrote with Mr. Cleese, and Mr. Cleese usually, but not always, ended up doing 80 percent of the work — sometimes he did 95 percent. Nevertheless, Mr. Chapman made some impressive contributions to the sketches. In this case, after Mr. Cleese had written a sketch about a defective toaster, Mr. Chapman said, “It’s boring. Why not make it a parrot instead?” This suggestion resulted in one of Monty Python’s most famous sketches — the Dead Parrot sketch, in which an irate man tries to return a dead parrot to a pet shop, whose owner insists that the parrot is only napping.

***

Copyright by Bruce D. Bruce; All Rights Reserved

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David Bruce: The Funniest People in Television and Radio: 250 Anecdotes — Voices, War, Work

Voices

• Because the TV character Bart Simpson is a 10-year-old boy, people naturally expect a guy to provide his voice and not Nancy Cartwright, who does provide his voice, as well as the voices of Nelson and Ralph. One day, Ms. Cartwright was going shopping and did Bart’s voice in the parking lot. A man heard her and said, “That’s not Bart. I know the guy who does him.” Ms. Cartwright said, “A guy does Bart’s voice?” The man replied, “Yeah, that’s right. Yours is pretty good, but it’s not Bart.”

War

• War correspondent Christiane Amanpour got into broadcasting through an accident. One of her sisters paid tuition to attend a broadcasting school in London, then changed her mind. She asked for her tuition back, but it was not refundable. Therefore, Christiane asked if she could attend the school in her sister’s place. This was acceptable, and she eventually became so famous that Pentagon officials once gave her an Amanpour Tracking Chart that detailed her journeys around the world to do reporting. Ms. Amanpour says, “They say I give great war. Is that sexual or what?”

• When MacLean Stevenson, who played Colonel Blake, left the television sitcom M*A*S*H, his character’s plane was shot down over the Sea of Japan — with no survivors. This was a bit of realism no TV sitcom had previously engaged in, and the episode’s writers, Jim Fritzell and Everett Greenbaum, were both praised and d*mned by letter writers. To people who wrote him letters criticizing the decision to kill the character, Mr. Greenbaum wrote back, “The essence of war is the quick and final departure of a loved one.”

• As young soldiers during World War II, British comedian Spike Milligan and his friends took a dislike to a certain Bombardier while they were still stationed in England. They got their revenge when the Bombardier went to bed very drunk one night. They loaded him and his bed into a truck, then drove him to a cemetery, where they unloaded him and his bed, removed his pants, then drove back to the base. The Military Police found him the next day.

• Back in the administration of George Bush, Sr., Defense Secretary Dick Cheney once flaunted a Bart Simpson doll dressed in camouflage. Matt Groening, the creator of The Simpsons, responded by saying, “It’s always sad when a 10-year-old gets drawn into war.”

• Two days after Pearl Harbor, the radio show Fibber McGee and Molly made a joke about Japan. A character on the show said that he wanted to buy a globe, and Molly replied, “You want a globe with Japan on it? Then you better get one quick.”

• Norman Fell, who played Mr. Roper on the TV sitcom Three’s Company, flew cargo planes during World War II. As he tells it, “I was getting shot at for 8,000 pounds of toilet paper.”

Work

• Tex Avery is the cartoonist who gave Bugs Buggy his distinctive personality. Before Mr. Avery started working on the Bugs Bunny cartoons, Bugs was a lot like Daffy Duck but in a rabbit suit. Mr. Avery gave Bugs a coolness and made him totally in control of every situation. The line “What’s up, Doc?” actually came from the cool kids Mr. Avery remembered from his old high school in Dallas, Texas. Late in his career, when Mr. Avery was working on TV commercials, he directed a commercial featuring Bugs Bunny. Someone actually asked if he knew how to draw Bugs Bunny. About that experience, Mr. Avery says, “I think that’s when I started making it clear just who created Bugs Bunny.”

• In one episode of Mr. Ed is a scene in which Wilbur, the character played by Alan Young, gave Mr. Ed a bath. After Mr. Ed had his bath, Wilbur was supposed to lose his balance and fall in the bath water. Unfortunately, during this scene, Mr. Ed had a bowel movement that fell in the tub. At this point, Mr. Young had to decide what to do. It was the end of the day (and the end of the week), the camera had not caught the bowel movement, and everyone — including himself and Mr. Ed — was tired. Stopping the scene would mean having to set up the scene again and reshoot it on Monday. All in all, a lot of work. So Mr. Young thought, “The h*ll with it,” and Wilbur lost his balance and fell in the tub — then took a long, soapy shower.

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Copyright by Bruce D. Bruce; All Rights Reserved

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Good spelling is essential — t r e f o l o g y

BACK in the 1950’s if you were going to Dial M for Murder, you had better be ready to dial some other letters, too, if you wanted to complete the call.

Good spelling is essential — t r e f o l o g y

BACK in the 1950’s

if you were going to

Dial M for Murder,

you had better be ready

to dial

some other letters, too,

if you wanted to

complete the call.