— 2.2 —
Imogen was in bed, reading, just before bedtime. Iachimo’s chest was in her bedchamber.
Imogen called, “Who’s there? My servant Helen?”
In mythology, Helen was the name of the wife of Menelaus, King of Sparta, and she became the cause of the Trojan War after either Paris, a Prince of Troy, kidnapped her or she ran away willing with him. Troy fell when the Greeks created the Trojan Horse, which was hollow and filled with armed Greek soldiers. The Trojans moved the Horse inside the city, and at night the Greek soldiers came out of the Horse and opened the city gates to let in the Greek army.
“I am here, if you please, madam,” Helen said.
“What time is it?”
“Almost midnight, madam.”
“I have read three hours then,” Imogen said. “My eyes are tired. Fold down the leaf where I have stopped reading. I am going to sleep. Do not take away the candle, leave it burning, and if you can awaken by four o’clock, please wake me up. Sleep has entirely overcome me.”
Helen exited.
Imogen prayed, “To your protection I commit myself, gods. Please guard me from malevolent fairies and the tempters of the night.”
She fell asleep, and Iachimo came out of the trunk — the Trojan Horse — where he had hidden himself.
He said quietly to himself, “The crickets sing, and man’s overworked senses repair themselves through rest. I am like our Roman Tarquin, who like me now did softly step on the rushes on the floor before he awakened the chastity he wounded.”
The ancient Roman Sextus Tarquinius had raped Lucretia, an evil act that led to the overthrow of the Roman King and the establishment of a republic. Iachimo did not dare to rape Imogen — such an act would lead to bad consequences for him — but he still wanted to win the bet that he had made with her husband.
Iachimo continued, “Imogen, you are Cytherea — Venus, who was born on the island of Cythera. How splendidly you become your bed, you fresh lily, symbol of purity, for you are whiter than the sheets! I wish that I might touch you! I want only a kiss — just one kiss! Rubies unparagoned, how dearly they do it! Your lips are like rubies, and they kiss each other. It is her breathing that perfumes the chamber. The flame of the candle bows toward her because smoke follows the most beautiful. The candle flame wants to peep under her eyelids, to see the lights — the eyes — they enclose, which are now canopied under these window shutters, which are white and azure laced with blue of Heaven’s own color. Her eyelids are white but have tiny blue veins.
“But let me carry out my plan. I will take note of her bedchamber so that I can describe it to her husband and convince him that I have slept with his wife. I will write everything down. Here are such and such pictures. There is the window. Such is the decoration of her bed. Here is the wall hanging. Here is a carving of figures on the mantle over the fireplace. Why, I see such and such, and the figures act out the contents of a story.
“Ah, but some personal notes about her body would be better evidence than over ten thousand notes about the items in her bedchamber; those personal notes would significantly enrich the inventory that I am writing down.”
He drew the covering away from Imogen’s body and said, “Oh, sleep, you mimic of death, lie heavy upon her! Let her consciousness be like that of an effigy on top of a coffin lying in a chapel! Don’t wake up!”
He began to take off her bracelet, saying, “Come off! Come off!”
It easily slipped off her arm, and he said, “It is as slippery and easy to remove as the Gordian knot was hard to untie!”
The Gordian knot was incredibly intricate, and according to prophecy, whoever was able to untie it would conquer Asia. Alexander the Great “untied” the knot by cutting it with his sword.
Holding the bracelet, Iachimo said, “It is in my possession; and this will be physical evidence that will aid me as I drive her husband to distraction.”
He looked at Imogen’s body and said, “On her left breast is a mole with five spots like the crimson drops in the bottom of a cowslip flower. Here’s a piece of evidence that is stronger than law could ever make. This secret knowledge of her body will force her husband to think that I have picked the lock and taken the treasure of her honor. I need no more evidence. It would not help make my case stronger. Why should I write this piece of evidence down? It is riveted — screwed — to my memory! She has been reading recently the tale of Tereus; here the leaf’s turned down where Philomel gave up.”
Imogen had been reading about Philomel, who was raped by Tereus, her brother-in-law. After raping her, he cut out her tongue to prevent her from telling anyone about the rape. However, she created a tapestry that told the story of the rape.
Iachimo was wrong when he said that Philomel had given up. He was the type of man who believes that it was a rare — perhaps nonexistent, given enough time for the seduction to take place — woman who could not be seduced. Philomel had not given up her chastity; Tereus had forcibly raped her.
Iachimo said, “I have enough evidence. I will go inside the trunk again, and shut its spring — its locking mechanism. Be swift, swift, you dragons of the night, so that dawning may bare the raven’s eye!”
According to a myth, dragons drew the chariot of the Moon. Ravens are birds of omen — they are ominous — and they wake up with the dawn.
Iachimo continued, “I lodge in this trunk in fear. Although Imogen is a Heavenly angel, Hell is here.”
A clock began to strike.
Iachimo counted, “One, two, three. It is time, time for me to go into the trunk!”
He went into the trunk and shut the lid.
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Copyright by Bruce D. Bruce; All Rights Reserved
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